Thursday, December 11, 2008

Lalita Pawar

Lalita Pawar

Born Amba Laxman Rao Sagun
April 18, 1916(1916-04-18)
Nashik, Maharashtra
Died February 24, 1998 (aged 81)
Pune, India
Years active 1928-1997

Lalita Pawar (April 18, 1916February 24, 1998) [1] was a prolific Indian actor, who later became famous as character actress, appearing in over 700 films in Hindi and Marathi cinema, where she gave hits like, Netaji Palkar (1938), made by Bhalji Pendharkar, New Hana Pictures’ Sant Damaji, Navyug Chitrapat’s Amrit, written by VS Khandekar, and Chhaya Films’ Gora Kumbhar. Her other memorable roles were in film, Anari (1959), Shri 420 and Mr & Mrs 55, and the role of Manthara, in Ramanand Sagar's television epic serial, Ramayan.

Biography

Born Amba Laxman Rao Sagun, on (April 16, 1916, in a orthodox family in a village, Yevle in Nashik, where her father Laxman Rao Shagun was a rich silk and cotton piecegoods merchant [2], she started her acting career began at age nine, as a child artist in film, ‘Raja Harishchandra’ (1928), and later went on to play lead roles in silent era films and 1940's Hindi cinema, in a career that lasted until the end of her life, spanning seven decades.

Her first marriage was to G.P. Pawar, a stunt film director [3] , who directed most of her later silent, and initial sound films [4]. She co-produced and acted in a silent film, Kailash (1932), and later produced another film, Duniya Kya Hai in 1938, a talkie.

In 1942, she was slapped by film actor Bhagwan Dada, during a film, which resulted in facial paralysis and a burst in a left eye vein, and three years of treatment later, she was left with a defective left eye; thus she had to leave lead roles, and switch to character roles, which got her much of her fame, later in life

She was known particularly for playing maternal figures, especially wicked matriarchs or mothers-in-law. She also notably played the role of the strict but kind, Mrs. L. D'Sa in Anari (1959) with Raj Kapoor, acting under Hrishikesh Mukherjee's direction, she gave performance of a lifetime [6], for which she received Filmfare Best Supporting Actress Award; as the tough matriarch who falls in love in Professor (1962), and the devious hunchback Manthara in Ramanand Sagar's television series Ramayan.

Lalita Pawar, playing the lead in film, ‘Himmat-e-Marda’ (1935).

Personal life

Her first marriage was to Ganpatrao Pawar, which went sour after his affair with her younger sister. She later married, film producer husband Rajprakash Gupta, of ‘Ambika studios’, Mumbai [7]

She died on February 24, 1998 in Aundh, Pune, where she had been staying, for a while. She was survived by her husband, Rajprakash Gupta, a son and daughter-in-law, who stay in Mumbai.

Filmography

Awards



Nadira

Nadira (December 5, 1932 – February 9, 2006), born as Irfat Ezekiel, or possibly as Florence Ezekiel, was an Indian actress in Bollywood films. She is best remembered for her performances in film such as Aan (1952) and Shri 420 (1955)

Early life

Nadira was born in 1932 to a Baghdadi Jewish family in Bombay, India. Nadira and her family moved to Nagpada, South Mumbai, a predominantly Muslim and Jewish locality. Her parents divorced when she was just four years old and she and her brothers were raised by her grandmother.

Career

She was still in her teens when she was spotted by Sardar Akhtar, wife of the great filmmaker Mehboob Khan. After convincing her mother, Sardar Akhtar took Farhat under her wing, groomed her and renamed her Nadira.

She rose to cinematic prominence with the 1952 film Aan. In 1955, she played Maya, a rich socialite, in Shree 420. She played roles in a number of hit films from the 1950s through to the 1970s such as Dil Apna Aur Preet Parayi, Hanste Zakhm, Amar Akbar Anthony and Pakeezah. She was often cast as a temptress or vamp and played opposite the chaste heroines then favored by the Bollywood film industry.

Nadira won the Filmfare Best Supporting Actress Award for her role as Julie's mother in Julie. During the 1980s and 1990s, she entered a new phase of her career, playing older women such as a cruel grandmother or as a supporting actress. She also appeared in a few English films notably the Merchant Ivory films The Guru (1969) and Cotton Mary (1999). Her last role was in the film Josh (2000).

She was well paid for her efforts and was one of the first Indian actors to own a Rolls-Royce.[citation needed]

Pesonal life

She was married twice. She first married a Muslim Urdu poet and filmmaker called Naqshab. This marriage ended unhappily. She then married a man who turned out to be a fortune hunter. The marriage lasted only a week. She is noted as having a daughter, apparently out of wedlock.[1]Aside from her visit, very little is known of her. For the latter part of her life, she lived alone in Mumbai, as many of her relatives had moved to Israel.

For the last three years of her life, she is said to have kept entirely to her Bombay flat, where she lived with her housekeeper, Shobha.

Death

Nadira died in the Bhatia Hospital at Tardeo, Bombay, India on February 9, 2006, aged 73, following a prolonged illness caused by advanced alcoholism.[2] She had been hospitalized on February 2nd and lay ailing in the hospital after suffering from a paralytic stroke combined with a heart attack. She is survived by two brothers, one of whom lives in the U.S. and another in Israel as well as a daughter who visited her on her death bed.[3].

Filmography

Title (Year) Role
Aan (1952) Princess Rajshree
Waris (1954) Kanta
Dak Babu (1954)
Raftar (1955)
Jalan (1955)
Shree 420 (1956) Maya
Sipahsalar (1956)
Samundari Daku (1956)
Pocket Maar (1956)
Geliebte Corinna (1956)
Police (1958)
Kala Bazar (1960) Herself
Dil Apna Aur Preet Parai (1960) Mrs. Kusum Sushil Verma
Meri Surat Teri Ankhen (1963)
Sapnon Ka Saudagar (1968) Ranjana's mother
Talash (1969) Flirtatious lady in red sari
Jahan Pyar Mile (1969)
Insaaf Ka Mandir (1969)
The Guru (1969) Courtesan
Safar (1970) Mrs. Kapoor
Ishq Par Zor Nahin (1970)
Chetna (1970) Nirmala
Bombay Talkie (1971) Anjana Devi
Pakeezah (1971) Madame Gauhar Jaan
Kahin Aar Kahin Paar (1971)
Raja Jani (1972)
Ek Nazar (1972) Aminabai
Pyaar Ka Rishta (1973)
Hanste Zakhm (1973)
Ek Nari Do Roop (1973)
Woh Main Nahin (1974)
Ishq Ishq Ishq (1974)
Faslah (1974)
Mere Sartaj (1975)
Kahte Hain Mujhko Raja (1975)
Julie (1975) Margaret 'Maggie' (Julie's Mom)
Dharmatma (1975)
Bhanwar (1976) Sharda Devi
Paapi (1977) Old lady hit by Vikram's car
Darling Darling (1977)
Amar Akbar Anthony (1977) Stepmother
Aashiq Hoon Baharon Ka (1977) Heera (Jamundas' wife)
Aap Ki Khatir (1977)
Naukri (1978) Lily
Magroor (1979) Mrs. Disa
Bin Phere Hum Tere (1979)
Duniya Meri Jeb Mein (1979)
Swayamvar (1980) Durgadevi Bhargav
Chaal Baaz (1980)
Aas Paas (1981)
Dahshat (1981) Mrs. Vishal
Ashanti (1982) School principal
Raaste Pyar Ke (1982)
Kim (1984) Widow of Kulu
Saagar (1985) Miss Joseph
Maula Baksh (1988)
Laila (1991)
Hassan Da Chor (1991)
Jhoothi Shaan (1991)
Mehbooba (1992) Ranimaa
Godfather (1992)
Tamanna (1997)
Cotton Mary (1999) Mattie
Josh (2000) Mrs. Louise



Aruna Irani


May 3, 1958 (1958-05-03) (age 50)
Mumbai, India

Aruna Irani (Hindi: अरुणा ईरानी, Urdu: اَرُنا ایرانی) is an Indian actress of mixed Irani Zoroastrian and Hindu background. An accomplished actress and dancer of her time, Aruna Irani has acted in about 300 movies, with many memorable acting performances to her credit. Irani is the sister of film-maker Indra Kumar. She is marries to film director Kuku Kohli.


Career

Born in 1952 Irani made her debut in the movie Gunga Jumna (1961) at nine years old playing Vyjayantimala's character as a child. After doing several small roles in films like Jahanara (1964), Farz (1967), and Aaya Sawan Jhoomke (1969), and pairing with comedian Mehmood in films like Aulad (1968), Humjoli (1970), and Naya Zamana (1971), she finally shot to fame with her brilliant performance as an aggressive gypsy woman in the super hit Caravan (1971). By that time, however, she was emotionally involved with Mehmood and did not focus fully on her career. Their relationship also ruined the chances of her getting the heroine's roles. Yet, Mehmood gave her lead roles opposite the likes of Amitabh Bachchan and Vinod Mehra in the films that he made: Bombay To Goa (1972), Garam Masala (1972), and Do Phool (1973).

The success as a heroine still eluded her, and ironically, the newer actors and actresses that she supported became stars while acting with her: Jeetendra in Farz(1967), Rishi Kapoor and Dimple Kapadia in Bobby (1973), Jayaprada in Sargam (1979), Kumar Gaurav in Love Story (1981), Sanjay Dutt in Rocky (1981). She ended up doing vampish and supporting roles, mainly because her memorable performance in Caravan had already typecast her in such roles. To her credit, however, Aruna Irani seriously took each role and delivered nice performances, thus endearing herself to filmmakers and creating a niche for herself. No other actress of her time could have done full justice to her role of a seductress out to rob the teenage hero Rishi Kapoor off his innocence in Bobby (1973). Throughout the 1970s and early 1980s she appeared in several supporting roles, notably Roti Kapada Aur Makaan (1974), Do Jhooth (1975), Khel Khel Mein (1975), Bhanwar (1976), Fakira (1976), Laila Majnu (1976), Sargam (1979), Qurbani (1980), Aas Paas (1980), Love Story (1981)and Kudrat (1981). She finally won her first Filmfare Best Supporting Actress Award for Pet Pyaar Aur Paap (1984). In the late 1980s and 1990s she switched to playing motherly roles, notably in Beta (1992) for which she won her second Filmfare Best Supporting Actress Award. She also got very famous acting in many Gujarati films and some way changed trend and played as main protagonist.

Partial filmography

A complete filmography is available at her IMDB entry

Television

Awards and nominations


Laxmi Chhaya

The face is unmistakable and unique with big round eyes and a toothy grin. It's Laxmi Chhaya who appeared in a number of Bollywood films of the 60s and 70s.
Today she may be the most recognizable Bollywood figure in the West due to her appearance in Terry Zwigoff's "Ghost World" the film based on Daniel Clowes' graphic novel of the same name. Laxmi was the dancer of the Bollywood item dance number "Jaan Pehchan Ho Jeena Aasan Ho " that Mohd Rafi sings in "Gumnaam" [1965].
How ironic is it that it would be Laxmi Chhaya dancing an item number from a second rate Manjol Kumar, Babita, fluff entertainer that would be the first actual Bollywood film footage to be shown in wide distribution on Western movie theater screens?
Laxmi Chhaya quite often played bubbly secondary characters and as far as I know she never had a starring role in an A-grade Bollywood film. Her most famous part was in the film "Mera Gaon Mera Desh" [1971] where she was paired with Vinod Khanna. Laxmi had three dance numbers in this film and also does a fair amount of acting.
She also appeared in the Shammi Kapoor, Sadhana, film "Budtameez" [1966] where she had a small part as one of Sadhana's best friends. And she had a fairly large secondary part in "Teesri Manzil" [1966].
I have so far seen Laxmi in four films. All that I know about her is from what I have seen on screen. I am searching far and wide to know more about her. If anyone out there knows more about the life and career of Laxmi please e-mail me?
Filmography as Actor

Bhrashtachar (1989) - Herself (a scene from the movie "Mera Gaon Mera Desh (1971)") (uncredited)
Ladka Ladki (1982) - Laxmi Khandewala (uncredited)
Santu Jamadar (1977)
Kasam (1976)
Daku (1975)
Dhoti Lota Aur Chowpatty (1975)
Joshila (1973)
Kora Anchal (1973)
Nannha Shikari (1973)
Bindiya Aur Bandook (1972)
Do Chor (1972) - Chameli
Raaste Kaa Patthar (1972) - Neeta Sinha
Tanhai (1972)
Mera Gaon Mera Desh (1971) - Dacait/Dancer
Parwana (1971) - Kamla Singh
Chetna (1970)
Ek Nanhi Munni Ladki Thi (1970)
Mere Humsafar (1970) - Kusum
Rootha Na Karo (1970)
Veer Ghatotkach (1970) - Surekha - Balram's daughter
Yaadgaar (1970)
Ek Shriman Ek Shrimati (1969) - Kaushalya
Gauri (1968)
Hai Mera Dil (1968)
Mere Huzoor (1968)
Baharon Ke Sapne (1967) - Champa (uncredited)
Ram Aur Shyam (1967)
Johar in Bombay (1967)
Raat Aur Din (1967)
Upkar (1967)
Badtameez (1966) - Rita
Husn Aur Ishq (1966)
Phool Aur Patthar (1966)
Teesri Manzil (1966)
Gumnaam (1965) - Masked Dancer
Mere Sanam (1965)
Shaheed (1965)


Helen Richardson
Born
October 21, 1939 (1939-10-21) (age 69)London, United Kingdom
Occupation
Actress
Years active
1950-present
Helen Richardson
Born
October 21, 1939 (1939-10-21) (age 69)London, United Kingdom
Residence
Mumbai, India
Nationality
Indian
Occupation
Actress
Religious beliefs
Muslim
Helen Jairag Richardson Khan (born October 21, 1939) is a Hindi dancer and actress of Anglo-Burmese extraction, best known for playing vamps and vixens in Bollywood movies of the 1960s and 70s. She was famous for her performances in flamboyant dance sequences and cabaret numbers. The Bollywood playback singer Asha Bhosle frequently sang for Helen.

Career
Helen Jairag Richardson was born in Harrow, London, United Kingdom to an Anglo-Indian father and Burmese mother. The family migrated to Mumbai in 1943 during World War II, but her mother's salary as a nurse was not enough, and Helen had to quit her schooling to support the family. Helen had a brother Roger and sister Jennifer.[1] A family friend, an actress known as Cukoo, helped her find jobs as a chorus dancer in the films Shabistan and Awaara (1951). Helen was soon working regularly, and was featured as a solo dancer in films like Alif Laila (1952) and Hoor-e-Arab (1953). Helen is mainly known for her western appearance in Indian movies. She was known to have natural auburn hair and brown eyes.
In 1958, she had her first major hit with her performance in the song "Mera Naam Chin Chin Chu" in Shakti Samanta's hit film, Howrah Bridge. She was in great demand after this, performing as a cabaret dancer and vamp in film after film. She was known as the Cabaret Queen of India. She won nomination for the best supporting actress in 1965 for the movie 'Gumnaam'. She was never a great success in the few films in which she played the heroine or when she played dramatic roles such as the rape victim in Shakti Samanta's Pagla Kahin Ka (1970), but vamp roles and "item numbers" kept her busy through the 1960s. Her luck took a turn for the worse in the 1970s. Younger actresses were taking the vamp roles. Also, changing rules for Bollywood heroines made it possible for sexy young things in go-go boots to do the cabaret numbers and play the heroine. Helen fell into financial difficulties.
In 1973, "Helen, Queen of the Nautch Girls" was released. A 30-minute documentary film from Merchant Ivory films, the idea for the documentary came from Anthony Korner, an associate of Merchant Ivory's in the period, and now the publisher of Art Forum. It was directed and narrated by him, but the scenario was devised by Ivory. The subject of the film, which cost a modest $17,000 to make, is the most popular dancer in Bombay musical films -- and which presented Helen to the west as the undisputed star of Bollywood film, including her famous typewriter dance scene from "Bombay Talkie" the acclaimed Merchant Ivory film.
Writer Salim Khan came to her rescue. He helped her get good roles in some of the movies he was co-scripting with Javed Akhtar: Imaam Dharam, Don, Dostana, and the all-time hit Sholay. This led to a demanding role in Mahesh Bhatt's film Lahu Ke Do Rang (1979), for which she won a Filmfare Best Supporting Actress Award. Soon afterwards, she married Salim Khan, as his second wife. The arrangement was said to have been tense at first, but Salim's children by his first wife (including current Bollywood actors Salman, Arbaaz, and Sohail Khan) are now said to be on good terms with their stepmother.
Helen and Salim Khan have an adopted daughter named Arpita.
Helen's brother Roger passed away in the 1980's and her sister Jennifer is settled in New Delhi and is married to an Air Marshal of the Indian Air Force.
Helen retired from the screen for a number of years, but made a few "guest star" appearances in 1999 and 2000. In Mohabbatein, she plays the prim and proper head of a girls' school, who is pulled out onto a dance floor and surprises everyone with her lively dancing. She also made a special appearance as Salman Khan's mother in the movie Hum Dil De Chuke Sanam.

Selected filmography
Awaara (1951)
Howrah Bridge (1958)
Hum Hindustani (1960)
China Town (1962)
Aaya Toofan (1964)
Cha Cha Cha (1964)
Woh Kaun Thi? (1964)
Gumnaam (1965)
Teesri Manzil (1966)
Jaal (1967)
Pagla Kahin Ka (1970)
The Train (1970)
Bombay Talkie (1970)
Caravan (1971)
Mere Jeevan Saathi (1972)
Anamika (1973)
Geeta Mera Naam (1974)
Madhosh (1974)
Sholay (1975)
Bairaag (1976)
Imaan Dharam (1977)
Khoon Pasina (1977)
Amar Akbar Anthony (1977)
Don (1978)
Lahu Ke Do Rang (1979)
The Great Gambler (1979)
Ram Balram (1980)
Akayla (1991)
Khamoshi: The Musical (1996)
Hum Dil De Chuke Sanam (1999)
Mohabbatein (2000)
Shararat (2002)
Dil Ne Jise Apna Kahaa (2004)
Anjaane: The Unknown (2006)
Humko Deewana Kar Gaye (2006)
Marigold (2007 film) (2007)
Complete Filmography

Awards and nominations
Filmfare Nomination as Best Supporting Actress for Gumnaam (1965)
Filmfare Nomination as Best Supporting Actress for Shikar (1968)
Filmfare Nomination as Best Supporting Actress for Elan (1971)
Filmfare Best Supporting Actress Award for Lahu Ke Do Rang (1979)
Filmfare Nomination as Best Supporting Actress for Khamoshi: The Musical (1996)
Filmfare Lifetime Achievement Award (1998)

Shashikala


Born
1933 Solāpur, Mahārāshtra, India
Years active
1944- present
Awards won
Filmfare Awards
Best Supporting Actress: Aarti (1962)Best Supporting Actress: Gumrah (1963)
Shashikalā Jāwalkar-Saigal (born 1933), much better known as Shashikalā, is an Indian actress.


Early years
Shashikala was born as one among six siblings in Solāpur, Mahārāshtra in a well-to-do Marāthi-speaking Jāwalkar family. By age 5, she had aleady been dancing, singing, and acting on stage in many towns in Solapur district.
When Shashikala was in her preteens, through ill luck, her father became bankrupt, and he brought his family to Bombay (Mumbai) with the thought that Shashikala, the best looking and talented among his children, could find work in movies. For some time, the family lived with friends, and barely survived, while Shashikala wandered from studio to studio looking for work. She earned in bits and pieces till she met Noor Jehān, the reigning screen queen of the era.
Noor Jehan's husband, Shaukat, was making a movie Zeenat then, and included Shashikala in a qawwāli scene. The film was to be in Urdu, so Shashikala quickly learned to speak that language. She received 25 rupees for her role. She struggled on, and got small roles in movies made by P. N. Arorā, Amiya Chakravarti, and a few other producers. She got a role in V. Shāntārām’s Teen Batti Chār Rāstā, and a few other movies.
While in her early twenties, Shashikala met and married Om Prakāsh Saigal, who belonged to the Kundan Lāl Saigal family, and had two daughters.

Acclaimed Supporting Roles
In Tārāchand Barjatya’s highly successful movie, Ārati, starring Meenā Kumāri, Ashok Kumār, and Pradeep Kumār, Shashikala performed superbly as a vamp, and offers began to pour in to her for similar roles. She performed in Jangalee, Anupamā, Sujātā, Phool Aur Patthar, Āyi Milan Ki Belā, Gumrāh, Waqt, and Khubsoorat.
Meenā Kumāri, Nutan, Sharmilā Tagore, Malā Sinhā, and Waheedā Rehmān have been among the leading actresses with whom Shashikala performed in supporting roles. While the female lead costars in the involved movies usually played roles of good-natured or pious women, Shashikala usually played flighty women who pouted and plotted the downfall of others. Later in her acting career, she would typically play the role of a cruel sister or mother-in-law. She performed in supporting roles in well over 100 movies.
Āshā Bhosle was often the playback singer for Shashikala in her earlier career. Sheeshe Se Pee and Bheegi Bheegi Faza are two popular songs which Asha had sung for Shashikala.

Personal life
In an interview in 1999, Shashikala said:
"At about this time, I had serious differences with my husband, and was misguided by a friend to leave him. This was a mistake I made, and I suffered agonies of guilt because my children were badly hurt. I tortured myself when my family was hurt and therefore turned against me. I had no one to look to and became a wreck — emotionally and physically. I wandered around looking for a way to regain my lost peace, but my self-torture only got worse. I lived in Pune, did social work, I went to Calcuttā, worked in Āshrams, but to little avail. For 16 years, I went religiously to the Vipashana Centre near Nāsik and here, through total devotion and dedication, I cured myself to a certain extent.
"'My true release came when I met Mother Teresa in Calcutta, and worked for nine years in her various homes, cleaning latrines, sweeping floors and wards, loving leprosy patients, cuddling orphans and staying by the deathbed of many. Throughout these years, I received incomparable love from the Mother, whose blessings and hand of mercy was always over my head. Her love was infinite and slowly, through her healing, I became peaceful and confident again. I washed out the sorrow of my deprived childhood, my untimely and heavy responsibilities, the loss of my parents and the guilt of my mistake — all in one blissful touch from the Mother.
"I still work for her institutions. But to rebuild my career, I had to come to Mumbai and start the third phase of my career in the film industry. I have helped many industry people including Dilip Kumār and Sāira Bānu, to meet the Mother, and they too have overcome their agitation and trauma through her touch and mercy.
"I have earned lifelong peace and lost all my fear. I could bear the sorrow of my daughter’s death when she died of cancer because of the courage Mother gave me. Today, I live like an American, doing all my work myself with total self reliance. My husband is ill and confined to our farm in Nainital. I visit him often. My other daughter lives in Calcutta and we often have good times together. I manage my career, my money and my life by myself. Meditation, prayer and Mother’s love which envelopes me fully, keep me young and fit."

Recent Acting Roles
In the past ten years, Shashikala has performed in a few television serials, including Jeena Isi Ka Naam Hau for Sony, Apnaapan for Zee TV, and Dil Deke Dekho for Star Plus. She has also had successful roles in Mother ‘98, Pardesi Babu, Agniputra (with Mithun Chakraborty), Baadshah, Mujhase Shaadi Karogi and Chori Chori.

Awards
Shashikala has received eight nominations for the Filmfare Best Supporting Actress Award, and won the award twice:
1962: Filmfare Best Supporting Actress Award, for a role in Aarti
1963: Filmfare Best Supporting Actress Award, for a role in Gumrah


Bindu


Bindu in Zanjeer
Born
Bindu DesaiJanuary 17, 1951 (1951-01-17) (age 57)India.
Spouse(s)
Champaklal Zaveri
Bindu (born January 17 1951) is an Indian actress popular during the 1970s, 1980s and 1990s.

Early life
Bindu was born to film producer Nanubhai Desai and his wife Jyotsna at small village(Hanuman Bhagda) of Valsad,Gujarat, a stage actress. Bindu's road to success was not an easy one. With her father's demise at the young age of 13 and being the eldest daughter, the burden of earning a daily meal fell on her young, frail shoulders.
It was only after her marriage to Gujurati businessman Champaklal Zaveri that she got her first major role film offerbut before that she did act in the movie 'Anpadh' starring Dharmendra and Mala Sinha. The film was to be director Raj Khosla's Do Raaste (1969). From here she went on to write her success story with Shakti Samanta's Kati Patang (1970) where she had a sizzling "Mera Naam Shabnam" to her credit, a number which is even today remembered as the highlight of the film Kati Patang. Bindu announced her arrival on the scene as a vamp, an image which her contemporaries Helen and Aruna Irani were famous for around that time.
Bindu was beautiful, busty and fair-skinned, sex symbol of the Hindi film industry.
(In Anpadh (1962), Bindu plays a young college graduate. There's no way a 11-year old could have played that role. That places her birthdate in dispute.)

Career
Kati Patang was only the beginning; followed by Ittefaaq (1969) and Imtihaan (1974), with her mesmerizing performances as a seductress in Imtihaan and as a nymphomaniac in Hawas (1974), left audiences asking for more. With a string of hits behind her, she successfully managed to break out of the myth that married actresses usually do not go to become sex symbols, especially in the Hindi film industry.
Bindu was much more than just a sex symbol. Her acting ability was seen in films like Hrishikesh Mukherjee's films Arjun Pandit and Abhimaan 1973, where she won raves for playing a very sympathetic character. She also acted in Chaitali. She proved to be just as convincing as the crippled woman in Chaitali and as the deglamourised role of wife to Ashok Kumar, in Arjun Pandit.
Unfortunately, the 5'6" tall Bindu was never offered roles as the leading lady despite being extremely photogenic, blessed with a flawless complexion and sharp features. Her being married perhaps came in the way of her being offered roles as the main female lead. Thus, she lost out on the chance of being the leading lady in her films.
Bindu was a stunning beauty, equally stunning without any make up. She is known for her alabaster skin and smooth complexion. With her looks, histrionic ability, voluptuous figure and fair skin, she could have given all the leading ladies of Bollywood a run for their money. But this was not to be.
An impending pregnancy, followed by an unfortunate miscarriage, brought about a lull in her career and on the advice of her doctors she had to end her stint as the glamorous vamp – dancing and all. However, she did not stay away for long and returned back to the silver screen with character roles – Hero, Biwi Ho To Aisi and Kishen Kanhaiya and with many other such movies she managed to re-establish herself as the unmerciful and cruel ma-in-law, or the cynical bua, chachi, mausi…
Today, Bindu leads a low-profile life and makes fewer on-screen appearances, like the one in Shola Aur Shabnam which brought to the forefront the comic trait to her as an actress. She followed this with her light performance as the tip-top chachi in Hum Aapke Hain Kaun and the Shahrukh Khan starrer Main Hoon Na.
She was a unique actress in her own right.

Personal life
Bindu married a Gujarati Champaklal Zaveri.

Awards and nominations
Filmfare Nomination as Best Supporting Actress--Ittefaq (1969)
Filmfare Nomination as Best Supporting Actress--Do Raaste (1970)
Filmfare Nomination as Best Supporting Actress--Dastaan (1972)
Filmfare Nomination as Best Supporting Actress--Abhimaan (1973)
Filmfare Nomination as Best Supporting Actress--Hawas (1974)
Filmfare Nomination as Best Supporting Actress--Imtihaan (1974)
Filmfare Nomination as Best Supporting Actress--Arjun Pandit (1976)

Partial filmography
Gaai Aur Gori (1973)
Biwi Ho To Aisi
Zanjeer (1973)
Kati Patang
Ittefaq
Shankar Dada
Do Raaste
Laawaris (1981)
Karma (1986)
Kishen Kanhaiya (1990)
Aankhen (1993)
Hum Aapke Hain Kaun(1994)
Judwaa (1996)
Aunty No.1 (1998)
Banarasi Babu (1998)
Mere Yaar Ki Shaadi Hai (2002)
Main Hoon Naa (2004)
Om Shanti Om (2007)
Mehbooba (2008 film) (2008)